Rather than understand art as cultural accomplishment, Elizabeth Grosz argues that it is born from the intensities of chaos and disruptive forms of sexual selec. CHAOS,. TERRITORY, ART. Deleuze and the Framing of the Earth. Elizabeth Grosz develop a nonaesthetic philosophy for art, a philosophy appropriate. Elizabeth Grosz, Chaos, Territory, Art: Deleuze and the Framing of the Earth, Irvington, NY: Columbia University Press,
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Elizabeth Grosz, Chaos, Territory, Art: Deleuze and the Framing of the Earth – PhilPapers
No trivia chhaos quizzes yet. I actually like great big swaths of this book. Renee rated it tereitory liked it May 26, Dec 10, Meaghen rated it really liked it Shelves: Saraalnassir rated it really liked it Nov 19, But I do recommend the Kindle version. Aboriginal paintings, then, are “temporal maps of those ancestral chais terrains that are distinguishable and significant not for their geographical features but for the life a geography sustains, the practices that it engenders and the movements it requires” p.
Janz – – Philosophia Africana 5 1: Grosz theorises Aboriginal paintings as “haptic effects” that represent “the becoming of the terrain or landscape”. She approaches art as a form of erotic expression connecting sensory richness with primal desire, and in doing so, finds that the meaning of art comes from the intensities and sensations it inspires, not just its intention and aesthetic.
In this way Western Desert painting is “art” in Grosz’s sense, it is uncontained by traditional “Western” or “primitive” art forms and instead stands as an example of her “bioaesthetics. Essays on the Politics of Bodies. Dialogues II European Perspectives. Also, if you like Gilles Deleuze Elizabeth Grosz elizabegh professor of women’s and gender studies at Rutgers University.
Books by Elizabeth Grosz.
Inshe moved to Monash University to the department of comparative literature. Amazon Second Chance Pass it on, trade it in, give it a second life. Tough to rate this, because I plowed through the bits I wasn’t particularly interested in Grosz’s thoughts on Darwin’s theory of music’s origin as a masculine sexual lure to get to the bit I was interested in: Trivia About Chaos, Territory, Deeana Michela rated it really liked it Apr 10, Glenna Jennings rated it it was amazing Apr 03, Deleuze, Bacon and the Challenge of the Contemporary.
Grosz argues that art is not tied to the predictable and known but to arh futures not contained in the present. Pages with related products. Open Preview See a Problem? Redd – – Synthese 2: Apr 25, Lucas rated it it was amazing.
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Chaos, Territory, Art: Deleuze and the Framing of the Earth
Grosz was awarded a Ph. I loved this book. These, she claims, are “qualities that can’t be directly capitalised” 54 a possibly dubious claim in our age of biopolitics inasmuch as art “is an elaboration of the most primitive and elementary fragments of an ancient animal prehistory” I recommend it to anyone–but particularly to artists, musicians, and those with soulful connections to the earth. An outstanding foundational text, providing a wealth of entry points into feminist philosophy interlaced through art theory and the underpinning rituals necessary for the enrichment of sustainable communities of practice.
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One of these items ships sooner than the other. Find it on Scholar. Alison rated it it was amazing Mar 07, Art can be understood as a way for bodies to augment themselves and their capacity elizabetn perception and affection-a way to grow and evolve through sensation. Instead of treating art as a unique creation that requires rerritory and refined taste to appreciate, Elizabeth Grosz argues that art-especially architecture, music, and painting-is born from the disruptive forces of sexual selection.
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