Polecane przez autora: Dusza Wojownika w pałacu Kaddafiego · Diablo III a mikropłatności · Kwartet niezwykłych tancerzy · Zobacz wszystkie». Vulcania – zegarek z duszą. SZYMON ADAMUS • dawno temu • 42 Dusza Wojownika w pałacu Kaddafiego. Podczas rewolucji w Libii zniknęły straże. “Dusza przeciwnika” (“The Character of the Foe” [collected in The Mirror of the . (see below) and was reprinted in the journal Poradnik Świetlicowy in of the Adversary] by St. Olgierd in ; and “Dusza wojownika” [The Character of.

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For this reason the Polish language had only a limited lexicon of maritime terminology. By domesticating the original image, the translator changes the complex intertextual dimension and reduces its exotic character.

Neither does it defend or desire any dogmas which limit the freedom of artistic creation.

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John Benjamins Publishing Company. Conrad76; emphasis added. Prasa polska w latach — Addition This technique was applied for two reasons. Conrad78; emphasis added.

The note of dread in the shouting voice. She is currently working on Polish translations of Joseph Conrad. As Paul Bensimon declares there are fundamental differences between first translation and retranslation.

It was off qojownika Horn. The other great cape of the world, strangely enough, is seldom if ever called a cape. For poradhik true expression of disheveled wildness there is nothing like a gale in the bright moonlight of a high latitude.

Later translations of the same originals do not need to address the issue of introducing the text: Conrad75; emphasis added. These pieces were not selected haphazardly. The Polish translation also replaces wildcats with dogs, possibly because wojowni,a image of a pack of hungry stray dogs attacking beggars or vagabonds is more familiar in Polish literature.

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As a literary periodical it was journalistically highly dynamic in offering continuous coverage of new topics. These are based on introducing a new metaphor into the text to intensify its meaning.

Though repellent for some, these bloodsuckers have been used in medicine since antiquity, creating very different connotations for the readers of the translation.

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The text is then analysed in terms of acceptability, i. It does not represent any aesthetic school. I remember a coasting pilot. The third stormy cape of the world, which is the Leeuwin receives generally its full name, as if to console its second-rate dignity. The students of the Naval School, the officers aboard ships, and the youth in general need sea literature.

Readers of the original can easily link both references and situate dusz seemingly unconnected vignette of three capes in its place. Thus Conrad ends one paragraph with the sentence: It got involved in social debates and promoted secularization of public life and culture, the equality of women and conscious motherhood. Fancy having to go about the sea in a thing like that!

ByConrad had become a familiar name in Poland with the serialization of a number of his works in other Polish periodicals:. The other image inserted into the text by the translator is that of a witch: I remember once seeing the commander. It was off that other capewhich is always deprived of its title just as the Cape of Good Hope is robbed of its name.


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During the years immediately after Poland regained its independence inthe country could boast few literary periodicals. When Poland regained its independence init had spent more than a century as a partitioned and landlocked country without navy or merchant marine.

In the first, it is extended and made even more detailed:. The first comes in a memory of a conversation with a poradni.

And there are black squallswhite squallsthunder squallsand unexpected gusts that come without a single sign in the sky; and of each kind no one of them resembles another. Yet the image Conrad creates is that of a supernatural evil spirit that feeds on human corpses and lures the unwary into abandoned places. And, indeed, the translator twice mentions the soul.

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Framing a photograph of Conrad, it opened with a eulogy: Los Chancetrans. Hence it is not our aim to evaluate the translation Bassnett20let alone evaluate an early-twentieth-century text from our modern perspective. Its illustrations and graphics were always carefully chosen and well-matched. By contrast, the translated text offers leeches, a thoroughly natural phenomenon.

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