SONATINE FOR FLUTE AND PIANO. BY PIERRE BOULEZ. A Written Document. Submitted to the Graduate Faculty of the. Louisiana State University and. Sonatine: Pierre Boulez: In his Sonatine for flute and piano (), the tone imitations and canons progress so quickly as to leave an impression merely of. Boulez: Sonatine For Flute & Piano, Etc / Ensemble with Aimard, Pierre- Laurent, Cherrier, Sophie on CD. Order from your preferred classical music CD store.
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The Sonatine for flute and piano serves as a perfect example of some of the stylistic variations Boulez took from his contemporaries, and why, years later, this work and those like it are still examined for their innovative qualities. While it’s true that Boulez may have gotten the core of this idea from Schoenbergit has a life of its own in Boulez ‘ hands.
The Schoenberg work is written flite a post-Romantic style, while the Sonatine is most definitely serialism at its finest. Boulez ‘ writing is twelve-tone in its basic pitch material, and virtuosic in its use of the timbres, unique combinations of textures, shifts in dynamic accents, etc.
The Sonatine was written on commission for flutist Jean-Pierre Rampalwho curiously never played it because of his extreme dislike for the work.
Sonatine | work by Boulez |
Sonatines for flute and piano. Le Domaine Musical, Vol. While much of the music of Boulez depends upon serial and twelve tone techniques, there is no doubt that his use of these techniques is unique. Sonatine; Piano Sonata No. This, Jolivet seems to be saying, is what the faun might have played anf sex addled his brain. And, with the minor reservations mentioned above, that goes for the performances, too.
Pierre Boulez: Sonatine
Composition Artist Credits Sonatine. Rainy Day Relaxation Road Trip. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it flte in our full-searchable Reviews Database.
The French Avant-Garde in the 20th Century. The piece gets its life from the constant push and pull of the tempo. Upon closer examination, it also appears that the choice of intervals used is limited to major thirds, sevenths, tritones and perfect fifths. The piece itself is rather short, but full of energy, with huge melodic leaps, sharp rhythmic and tempo contrasts, and an aggressive quality which never lets bojlez until the conclusion of the piece.
Boulez himself has stated the work along with its counterpart, the First Piano Sonata draws a fair amount from Schoenbergspecifically his Chamber Symphony.
Boulez: Sonatine For Flute & Piano, Etc / Ensemble – Apex: | Buy from ArkivMusic
But sonagine is proof that atonality can be fun. Le Domaine Musical, The twelve-tone materials used in this work are easily seen by a quick look at the flute opening.
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From this work of his predecessor, Boulez took, more flutee anything else, the idea of “the metamorphosis of a single theme”.
Sonatine, for flute & piano
It is rare that a complete statement of the entire twelve tones be completed in one of Boulez ‘ works; however, we get a rare glimpse of this unique entity here. Drinking Hanging Out In Love. Throughout most of the work, there is no true connective tissue between the flute and piano parts past the pitch choices, which perhaps leaves the variations on tempo, texture, and timbre as the unifying structure to the entire work.
Also, he has limited some of his divisions of the twelve tones into groups of five, five, and two, with the use of the motif tritone to fifth.
The first five-note theme which appears in the flute part does show up in various stages throughout the piece; keeping the piece united, these act as a landmark throughout the piece. The Now and Present Flute. The all-time greats Read about the artists who changed the world of classical music.
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